My paintings have always been a fantasy space for me, only loosely based in truth. I’m fascinated with the idea of the Sublime in art and a certain theatricality along those lines is part of my creative process. I would like to think my paintings possess their own emotion, their own truth, and that each one preserves space for individual interpretation. I seek to reference the ‘boundlessness’ of the immersive bushland paintings. I aim to make the viewer feel part of nature, immersed in rather than separate.